We attended a class in Haiku poetry a few years ago. The approach from school days always stuck with me–write three lines of five syllables, seven, then five again. I have written a few through the years, but took more interest after the class. Tim and I have each written in journals, attempted essay and story–published a few things here and there.
I attended a workshop with Natalie Goldberg in 1991 and began practicing her approach to “writing practice” and I have read most of her books since that early one, Writing Down the Bones. When I saw that a new one had come out, I ordered it. This one is all about her longtime study of Haiku.
She began learning about it from Beat poet, Allen Ginsberg. He named the four great haiku writers–Basho, Buson, Issa and Shiki. Basho’s most famous one may sound familiar:
FROG JUMPS
AN OLD POND
WATER SOUND
Ginsberg explained in his teaching that the rule about the syllables works differently in Japanese–not to worry about that so much when writing in English. “The only real measure of haiku is upon hearing one, your mind experiences a small sensation of space which is nothing less than God.”
Tim and I recently began practicing some haiku writing at the kitchen table.
PAINTED YELLOW STICK
WHITE PAPER HORSE
HELLO RED TULIPS! PP
SOUNDS OF SPRING
THE BUZZING OF CHAIN SAWS
WITH BIRD SONGS. TR
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FLEA MARKET MIRROR
CLOCK SAYS TEN PAST ELEVEN
COLORED FLAGS FLY. PP
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WHAT OF THE WOOD PILE
STACKED SNOW
IMAGINE THE WARMTH. TR
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CORAL ROSE ON MILKGLASS CUP
PARROT TULIP IN SAGE VASE
ROBIN SEEKS WORM ON SOGGY GRASS. PP
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GAZING AT THE FIELD
FROM THE DECK
COME FRIENDS! TR
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PALE GREEN PATIO TABLE
FOLDED WOOD EASEL
FAUX SUNFLOWER SWAYING IN THE BREEZE. PP
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